Replacing the CRT

Broadcast Engineering has a great article called Replacing the CRT. This details some of the existing and upcoming technologies looking to resign CRT broadcast monitors to the grave. They are:

* Plasma
* DLP
* SED (which looks very promising - not out yet though)
* OLED
* FED

This article is well worth checking out.

iTunes App Store RSS feeds

As I mentioned earlier, it was a bit disappointing that Apple hasn't offered up RSS feeds for iTunes App Store applications. Well, the kind folks at Pinch Media have decided to fill that gap, offering up their own feeds. They've got four feeds listing New Applications, Recently Updated Applications, Top 100 Free Applications and Top 100 Paid Applications.

While I was on their site, I also spotted another article detailing how the percentage of free apps is falling. This doesn't really surprise me but it is a little disappointing. All of our apps so far (both web apps and desktop apps) have been free - I am running a business but I don't like charging people for something I don't feel is worth paying for. That's not because I feel the quality of DR's apps is poor, just that the functions they perform fall into a very narrow category (e.g. FCS Remover). I will undoubtedly create certain paid software applications in the future but these would be larger applications with more wide-ranging uses and not small utilities for a single purpose. It disappoints me to see people offering "flashlight" applications (basically just a white screen) for $0.99 when you could just open a blank Safari page for free to achieve the same effect. It really cheapens the store, as do the applications with loads of symbols in front of their name (e.g. "!!!!!!AAAAAAAAA++++++ Application" just to get their apps to the top of the alphabetical listing.

Unless your app is very popular (or very expensive) you will lose out because Apple won't even write you a check until you hit $250 (which is quite a high threshold compared to other revenue schemes such as Google AdSense), and if you're past the cutoff date for that particular month, you have to wait until next month to receive your check. The small apps are free money to Apple because Apple can earn interest on the money while the developer is trying to reach $250 and in some cases, they may never end up having to write that check. I know Google makes tens of millions every year from small sites that never reach the $100 threshold.

DR apps will come, I promise. Just not this month. Maybe late next month, when I should have fewer time pressures. Come the end of August, I should have some more time to work on things like this and work on improving our other apps like FCS Remover and Preference Manager, in addition to creating a few new ones that I have in my head. In the meantime, we still have the web apps.

Rough cuts

Shane Ross has a great post about "rough" rough cuts and how frustrating it is when producers cannot see past a lack of audio or sound effects, or a dodgy transition. What is worse is when the producer gets it into his or her head that you are trying to pass that off as the end product, despite your protestations to the contrary. That has happened to me and is a nasty situation for all involved.

I think the key is to make the producer comfortable with you. Normally these kind of problems go away on the second or third project as the producer realizes that you can do the job and are not a cowboy, and they get familiar with the way that you work. I also find that a comfortable producer will give you a lot more creative freedom (I prefer to see scripts as a guide rather than a rulebook for example) and in return you will take advantage of that freedom to return a better product, so it is mutually beneficial.

NAB 2008 Summary

If, like me, you couldn't possibly keep up with all of the goings-on at NAB and decided to wait it out until the end, here is a short summary of the biggest announcements (or the ones most interesting to me anyway) in bitesize form.

RED
New low-end portable camera Scarlet

• 3K
• Around $3000
• Early 2009 release
• New Mysterium X Sensor
• 1-120 fps (180 fps burst)
• 100MB/sec Redcode RAW and RGB recording via dual Compact Flash
• 4.8 inch LCD
• Fixed 8x T2.8 lens
• Auto and manual shooting modes
• Wi-Fi control - this one opens up many possibilities

PVC Scarlet write-up

New high-end camera Epic

• 5K (up from 4K)
• I have heard both $30,000 and $40,000 quoted (up from $17,500)
• Early 2009 release
• New Full-Frame S35 Mysterium X Sensor
• 1-100 fps (up from 1-60 fps)
• 100MB/sec (up from 36 MB/sec) Redcode and HDMI recording
• 6 lb body (down from 10 lbs)
• RAW and RGB recording to Red Flash
• Wi-Fi control
• Fully upgradeable
• You can get a full $17,500 credit for your Red One if you upgrade

PVC Epic write-up

New playback device RED Ray

• Early 2009
• 4K in
• 4K, 2K, 1080p, 720p, SD playback
• Can play back content from a regular red laser disc
• Plays native R3D files from Compact Flash
• 4 HD SDI and 4
  HDMI connections for 4K
• 2 HD SDI and 2 HDMI connections for 2K
• 2 hrs of 4K with 5.1 audio on a regular DVD
• FireWire 800 for connecting external hard disks or cameras
• Under $1000

PVC RED Ray write-up
Scott Simmons at the Editblog has several photographs of the various RED products.

Sony
PMW-EX3

• Around $13,000
• Uses SxS cards (similar to P2)
• Removable lens
• 1080i / 720p switchable
• Genlock and timecode inputs
• Shoulder-mounted
• Available late 2008

F35

• S35-sized sensor
• Extensive depth of field controls
• Greater dynamic range than the F23 (800% more)
• PL lens mount allows regular 35mm film lenses to be used

Panasonic
P2 Varicams (AJ-HPX3700 and AJ-HPX2700)

• Now uses P2 cards exclusively. 5x P2 slots available on each camera
• 2/3" CCDs
• Full-res 10-bit 4:2:2 AVC Intra-100 recording
• Variable frame rates in 1-frame increments
• Available fall 2008

AG-HPX170 solid-state camcorder

• Improves on the successful HVX200
• 1/3" premium-quality CCDs offering increased sensitivity and lower noise
• 13x lens with 28mm wide-angle setting (widest in its class)
• 12-60 fps in 720p-mode
• P2-only; no tape deck
• Much smaller and lighter than the HVX200
• Available fall 2008

Here is a great summary from DVXUser.com.

AJ-HVX200A camcorder

• Successor to the hugely popular HVX-200
• Incorporates the same lens and CCDs as the new HPX170 but with a tape deck for transitioning from a MiniDV workflow

Here is a great review from DVXUser.com.

64 GB P2 card

• More than 4 hours of DVCPRO footage
• More than 2 hours of DVCPRO50 or AVC-Intra 50
• More than 64 minutes of AVC-Intra 100 or DVCPRO HD
• Available fall 2008

AJ-PCD35 ExpressCard P2 drive

• Allows P2 cards to be used in machines with ExpressCard ports
• Can transfer from up to 5 cards at once
• Available late 2008

Imagineer Systems
High-end finishing system mogul

• Monthly subscription includes hardware, software and maintenance. Annual hardware upgrades
• Open platform allows content sharing and management between multiple applications
• Editing, compositing and grading integrated to allow you to switch from one to the other without rendering
• Software "plugs in" to the architecture to perform certain tasks such as mogul/roto and mogul/comp with similar interfaces
• mogul/serve shipping at NAB, other products to be determined

Studio Daily mogul interview

Matrox
MXO 2

• Inputs: Component HD/SD, SDI HD/SD, Embedded SDI audio, Y/C, Composite, XLR audio, RCA audio, AES/EBU, HDMI, Embedded HDMI audio
• Outputs: Component HD/SD, SDI HD/SD, Embedded SDI audio, Y/C, Composite, RCA audio, XLR audio, AES/EBU, HDMI, Embedded HDMI audio, Direct 5.1 surround monitoring
• This does not have a DVI output like the MXO so it cannot output to a Cinema Display
• Dynamic RT acceleration and hardware up/downscaling
• Designed for HDMI monitoring with calibration and 1:1 pixel mapping
• Black burst and tri-sync for HD
• $1600
• Released July 2008

Differences between the MXO and MXO 2 (PDF)
Shane Ross's write-up

Toshiba to drop HD DVD

BBC News is reporting that shares of Toshiba have risen over speculation that it will scrap the HD DVD format. Toshiba was one of the pioneers of the format and has stood by it even after it was eclipsed by Blu-ray.

The article states that Toshiba is "reviewing its business strategies" but no decision has been made about HD DVD's future yet. This reflects a change in Toshiba's attitudes as it used to answer a firm "yes, the format will continue" when asked.

I hope Toshiba kills it sooner rather than later, as not only are they hurting themselves and the industry, but they are prolonging the inevitable. I think the major complaint about Blu-ray - price - will become a non-factor in the future as the industry can now focus its resources on one format to bring down prices, instead of splitting them between two. Also, technological improvements over time and increased demand will lower production costs and bring down prices as well.

Some people are wondering if it will all be in vain, as the download industry is just starting to take off. That remains to be seen but I don't think they are ready to directly compete with discs yet though.

Update 2/19/08: It's official. Toshiba has now suspended production of HD DVD players and recorders but will continue to clear out its inventory until March. This is a lot earlier than I had originally expected, so well done Toshiba for not drawing it out.

Apple pulls out of NAB 2008

AppleInsider is stating that Apple has pulled out of NAB 2008.

Last year, Apple's main competitor in the video editing field, Avid, announced that it was not going to attend the conference, amid industry speculation as to its reasons.

In Apple's case, it is not necessarily a bad thing and does not mean that we will not see new video-related products. Setting up a stand at big trade shows is expensive and Apple have reached the stage where their brand is so strong that they do not need anyone else to help them market it. This was illustrated last year by the announcement of the iPhone at Macworld in January overshadowing all of the announcements at the CES show happening at the same time.

I repeat: this is not necessarily bad news. I quote Steve Jobs from this year's Macworld keynote: "All of this in two weeks. And there's still 50 to go."

Sonic drops HD DVD Scenarist support

Video Business is announcing that Sonic Solutions has discontinued support for its HD DVD Scenarist authoring software. This is important because Scenarist is a popular product that is used professionally for disc authoring.

Sonic claims it wants to focus on Blu-ray and add extra functionality to the Blu-ray edition of Scenarist, rather than splitting its time and resources between two formats. Customers of the HD DVD version can exchange it for the Blu-ray edition.

As Toshiba seems unwilling to kill off HD DVD, many companies have chosen to pounce on it now that a possible winner has emerged. I think this is good for the industry, and the sooner Toshiba realizes this, the better.

Gartner: HD DVD dead by the end of the year

PCWorld is reporting that Gartner Research has predicted the death of HD DVD by the end of the year. It dubs Toshiba's massive HD DVD player price cuts as "useless resistance".

While I have no idea how long it will take before Toshiba gives up, I am in agreement that it is incredibly difficult for HD DVD to make a comeback. It is too costly for the studios to output to three different formats (standard-def DVD, HD DVD and Blu-ray). More importantly, HD DVD is already dead in the eyes of several consumers I have spoken to, and I am sure the recent negative publicity cemented this belief in many more people.

Lack of studio support and constant predictions of HD DVD's demise are denting consumer confidence and increasing Blu-ray's lead. If Toshiba is planning a comeback, it needs to be now.

As an update to my previous post, the "Save HD DVD" petition now stands at over 30,000 signatures and the "Let HD DVD Die" petition stands at over 10,000. I cannot see Warner or the others doing a U-turn on this policy, however, no matter how many votes it gets.

Update 1/30/08:
Video Business is reporting that HD DVD player sales rose significantly over the past week. This is likely to be due to the massive (half-price in some cases) price cuts that took place. Last week's player sales put Blu-ray at 63%, HD DVD at 33% and dual-format players at 4%. The week before it was 90% for Blu-ray and 7% for HD DVD.

This shows that consumers are more susceptible to pricing strategies in this war than previously thought. HD DVD is the cheaper format, in terms of both disc and player costs but if Blu-ray does become the dominant format, production costs (and presumably prices) will fall with time.

HD DVD not going down without a fight

HighDefDigest has a series of articles on the ongoing HD-DVD vs Blu-ray saga. I have heard some consumer publications say that HD-DVD is dead and Blu-ray has won the war. This is completely misleading. HD-DVD has taken some heavy blows but it has not died yet. Microsoft has shown in the past that it is prepared to make a loss in order to increase the market share of inferior products.

HD-DVD is definitely not giving up the ghost here. Universal has confirmed that it has no plans to abandon the HD-DVD format, despite the escape clause in its contract.

Meanwhile, on the other side of the fence, Warner revealed that it plans to delay even more of its HD-DVD releases. The delays now encompass its catalog titles in addition to its new ones.

Retailers are supporting Warner's move as well. Retailers are becoming cautious about over-stocking HD-DVD titles and are dedicating more shelf space to Blu-ray discs.

Finally, an online petition has been set up, campaigning against the move to abandon HD-DVD. At the time of writing, it has received over 15,000 signatures. Recently, a counter-petition called "Let HD DVD Die" was set up. At the time of writing, it has over 6,000 signatures (including mine). Because the first petition has had a couple of weeks' head start, it's difficult to tell which one is actually "winning" right now, although it probably won't make much difference.

Oscar 2008 nominations revealed

Best Picture
Atonement
Juno
Michael Clayton
No Country for Old Men
There Will Be Blood

Best Director
Julian Schnabel - The Diving Bell and the Butterfly
Jason Reitman - Juno
Tony Gilroy - Michael Clayton
Joel and Ethan Coen - No Country for Old Men
Paul Thomas Anderson - There Will Be Blood

Best Actor
George Clooney - Michael Clayton
Daniel Day-Lewis - There Will Be Blood
Johnny Depp - Sweeney Todd
Tommy Lee Jones - In the Valley of Elah
Viggo Mortensen - Eastern Promises

Best Actress
Cate Blanchett - Elizabeth: The Golden Age
Julie Christie - Away from Her
Marion Cotillard - La Vie en Rose
Laura Linney - The Savages
Ellen Page - Juno

Best Supporting Actor
Casey Affleck - The Assassination of Jesse James...
Javier Bardem - No Country for Old Men
Philip Seymour Hoffman - Charlie Wilson's War
Hal Holbrook - Into the Wild
Tom Wilkinson - Michael Clayton

Best Supporting Actress
Cate Blanchett - I'm Not There
Ruby Dee - American Gangster
Saoirse Ronan - Atonement
Amy Ryan - Gone Baby Gone
Tilda Swinton - Michael Clayton

Best Foreign Language Film
Beaufort (Israel)
The Counterfeiters (Austria)
Katyn (Poland)
Mongol (Kazakhstan)
12 (Russia)

Best Animated Feature
Persepolis
Ratatouille
Surf's Up

Best Adapted Screenplay
Atonement
Away from Her
The Diving Bell and the Butterfly
No Country for Old Men
There Will Be Blood

Best Original Screenplay
Juno
Lars and the Real Girl
Michael Clayton
Ratatouille
The Savages

Best Music (Score)
Atonement
The Kite Runner
Michael Clayton
Ratatouille
3:10 to Yuma

Best Music (Song)
Falling Slowly - Once (performed by Glen Hansard and Marketa Irglova)
Happy Working Song - Enchanted (performed by Amy Adams)
Raise It Up - August Rush (performed by Jamia Simone Nash and Impact Repertory Theatre)
So Close - Enchanted (performed by Jon McLaughlin)
That's How You Know - Enchanted (performed by Amy Adams)

Best Documentary Feature
No End in Sight
Operation Homecoming: Writing the Wartime Experience
Sicko
Taxi to the Dark Side
War/Dance

Best Documentary Short
Freeheld
La Corona (The Crown)
Salim Baba
Sari's Mother

Best Visual Effects
The Golden Compass
Pirates of the Caribbean: At World's End
Transformers

Best Cinematography
The Assassination of Jesse James by the Coward Robert Ford
Atonement
The Diving Bell and the Butterfly
No Country for Old Men
There Will Be Blood

Best Art Direction
American Gangster
Atonement
The Golden Compass
Sweeney Todd The Demon Barber of Fleet Street
There Will Be Blood

Best Animated Short
I Met the Walrus
Madame Tutli-Putli
Meme Les Pigeons Vont au Paradis (Even Pigeons Go to Heaven)
My Love (Moya Lyubov)
Peter & the Wolf

Best Short Film
At Night
Il Supplente
Le Mozart des Pickpockets
Tanghi Argentini
The Tonto Woman

Best Costume Design
Across the Universe
Atonement
Elizabeth: The Golden Age
La Vie en Rose
Sweeney Todd The Demon Barber of Fleet Street

Best Make-Up
La Vie en Rose
Norbit
Pirates of the Caribbean: At World's End

Best Sound Mixing
The Bourne Ultimatum
No Country for Old Men
Ratatouille
3:10 to Yuma
Transformers

Best Sound Editing
The Bourne Ultimatum
No Country for Old Men
Ratatouille
There Will Be Blood
Transformers

Best Film Editing
The Bourne Ultimatum
The Diving Bell and the Butterfly
Into the Wild
No Country for Old Men
There Will Be Blood

The ceremony takes place on February 24th. The producer has promised that the "show will go on" whether the actors are there or not, unlike the Golden Globes.