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Final Cut Pro: Copying Filters

I never realized until today just how many methods there were for copying filters from one clip to another in Final Cut Pro.

1. In the Filters tab for the clip, Ctrl-Click on the name of the filter and select Copy or press Cmd-C. Select the other clip, switch to its Filter tab and press Cmd-V.

2. In the Filters tab, drag the filter name and drop it onto the other clip(s).

3. Some tools like the 3-way Color Corrector give you a little "grab" icon within its interface that you can drag onto other clips.

4. Copy the entire clip, ctrl-click the second clip and select Paste Attributes. Deselect everything except Filters.

5. Use the copying commands in the Modify > Copy Filters menu or use the shortcut keys: Ctrl+Alt+2 = Copy from 2nd clip back, Ctrl+Alt+3 = Copy from 1st clip back, Ctrl+Alt+4 = Copy to 1st clip forwards and Ctrl+Alt+5 = Copy to 2nd clip forwards.

6. Select all of the clips you want to apply the filter to (Edit > Find is useful for this) and drag them up to a higher track. With the items still selected, go to Sequence > Nest Items and make sure the settings in the dialog match your current timeline settings. Click Ok and then apply the filter to the nested sequence.

7. Go to Effects > Make Favorite Effect. You can then select the other clips and go to Effects > Favorites (under the Video heading) and select your filter to apply those settings. Alternatively, you can drag the filter (using one of the methods of grabbing it described above) to the Favorites bin in the Effects tab in the Browser (you can also give it a more descriptive name here).

That's 7 ways I can think of... can anyone think of any more?

Posted by Jon Chappell on May 22 2008 to Final Cut Studio, Video Editing
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CalDigit SAN announced at NAB

I just got this in my inbox courtesy of the LAFCPUG mailing list.

Right now at Digital Rebellion we're running Xserve RAIDs on Xsan 1.4. I love these things but they're loud, they kick out a lot of heat and they're no longer being made. They're still pretty good and they're not out of date yet but I have been looking at alternatives with the future in mind.

CalDigit, famous for their hardware RAID cards, demonstrated such an alternative at NAB. One major departure from the Xserve RAIDs and their replacement, the Promise VTrak E-Class, is the fact that it does not use 2 or 4 Gb Fibre Channel cables (which cost around $80 per cable) to transmit data. It uses ePCIe which allows it to transmit data at speeds of up to 20 Gbps and allows for very long cable lengths of up to 300m.

With the recent announcement of the entry-level Scarlet camera, the demand for real-time access to extremely high resolution streams looks set to increase dramatically and, luckily, the CalDigit SAN has the bandwidth to transfer multiple 2K streams in real-time.

Uniquely, there is also an ePCIe ExpressCard device to allow laptop users (MacBook Pro only) to access the SAN. This is not currently available for fibre-based networks.

There's nothing on their site as of yet but they have a press release out and it looks like more details will be announced nearer the shipping date, which is currently unknown. This is definitely something I'm keeping my eye on.
Posted by Jon Chappell on Apr 23 2008 to Hardware, Video Editing
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My Compressor issues solved

UPDATE 11/9/2008: We've now released a tool to automate this fix, called Compressor Repair.

I recently experienced the dreaded "Unable to submit to queue. Please restart your computer or verify your Compressor installation is correct" error message when submitting batches with Compressor. I noticed that it listed "No Value" under Cluster instead of "This Machine".



Going to Qmaster Preferences and clicking Start Sharing gave me a message saying that "qmasterd" was not running. This was the cause of the problem.

The first thing I did was look on Apple's support boards where I found many posts on the subject. Unfortunately most users found that they managed to solve their issues by removing and reinstalling Compressor or the entire Final Cut Studio. This is something I did not want to do.

I used the terminal command sudo qmasterprefs -reset (this seems to be equivalent to trashing prefs as far as I can gather) and then sudo qmasterprefs -restart to relaunch qmasterd. I then relaunched Compressor and everything worked as it should.

Except when I restarted my machine, at which point I was back to the same error messages again. I knew that a fix must be possible without a reinstall, and it was probably something simple. So I did some digging around and I discovered that the folder /Library/StartupItems/Qmaster had the wrong permissions. It was set to No Access for some bizarre reason, preventing OS X from seeing any files inside it. Note that this was not picked up by Disk Utility when doing a permission repair. So I set the owner back to system and clicked Apply to enclosed items to be 100% sure that the permissions would be correct for all files.



I restarted my machine and everything worked. Two restarts later and it still works.

I can't say it will work for everyone but try it if you are experiencing these symptoms.
Posted by Jon Chappell on Apr 16 2008 to Video Editing, Final Cut Studio, Apple
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Why does QuickTime report a different resolution?

Ever wondered why QuickTime reports a completely different resolution to the one you exported at?



Welcome to the world of non-square pixels. NTSC and PAL use rectangular pixels to fill up space on the screen and save transmission bandwidth, which was more of an issue when the standards were invented. Computer monitors use square pixels and so QuickTime has to squeeze one side of the image in order to prevent it looking stretched. This is purely for display and the file is not modified.

The pixel aspect ratio of NTSC footage is 0.889 meaning 720 x 0.889 = 640 so it is displayed at 640x480. For PAL it is 1.067 so 720 x 1.067 = 768 and it is displayed at 768x576.

QuickTime also has some options for controlling how the movie is displayed. Open up your movie, go to Window > Show Movie Properties and click on the Presentation tab.

You will see an option marked "Conform aperture to:" with the following options:

Classic - Classic is identical to having the conform aperture setting switched off.




Clean - Scales the image to compensate for the pixel aspect ratio and crops it to mimic the overscan on a broadcast monitor.




Production - Scales the image to compensate for the pixel aspect ratio but does not crop the image.




Encoded Pixels - No modification is made to the footage. Note the stretching caused by non-square pixels.




This is one of the many reasons why a broadcast monitor is essential.
Posted by Jon Chappell on Apr 13 2008 to Video Editing, Analysis, QuickTime
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Final Cut Pro 6.0.3 released

Can you see an update in Software Update called "Pro Applications Update 2008-01"? Well, confusingly, that's actually Final Cut Pro 6.0.3 and Compressor 3.0.3. It also includes Apple HDV Codec 1.4 and Plugin Manager 1.7.3.

Release Notes

Final Cut Pro 6.0.3

This update contains the following:
  • XDCAM HD422 support
  • "Project is too new or unreadable" error fixed (yay)
  • Still images are now exported using their native aspect ratios
  • FCP now uses the aspect ratio of the clip when stacking multiple filters in a mixed-format timeline
  • When using XML import, FCP can now reconnect files that contain slashes (/) in their filenames
  • You can now place generator clips in FXScript filter clip wells, although read the release notes for the caveats


If this update is not appearing for you, you must have OS X 10.4.11 or OS X 10.5.2 installed.

Compressor 3.0.3

This update contains the following:
  • You can now create Apple TV movies with non-square pixel aspect ratios and there is now a Dolby AC-3 output for it as well


I was very disappointed that it did not fix any of the bugs with Compressor on Leopard.

Apple HDV Codec 1.4

This update contains the following:
  • 4:2:2 support


Plugin Manager 1.7.3

This update contains the following:
  • This fixes FxPlug plugins on FCP 5.1.4 that were broken my previous Plugin Manager updates


As always, never update a system mid-project. Don't update if you are not affected by the changes listed above - if it ain't broke, definitely don't fix it in the world of FCP. If you do update, make sure to make a clone of your system first.

You can get the update here as well, but you will need to have your Final Cut Studio serial number handy.
Posted by Jon Chappell on Apr 11 2008 to Apple, Final Cut Studio, Video Editing
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Exporting chapter markers to DVD Studio Pro

I am constantly seeing posts on Apple's support boards by people who can't get this to work. This seems to be a common problem so I'm going to give a step-by-step workflow followed by troubleshooting tips at the end.

1. In the Final Cut Pro timeline, navigate to the point you wish to place the marker, press M once to place a regular marker and then press M again to open up the Edit Marker dialog.



Make sure that you are adding the markers to the sequence itself and not to an individual clip. There are some rules though - Don't place one within 1 second of the beginning, don't place one within 1 second of the end and don't place them less than 1 second apart.

2. Click the button marked Add Chapter Marker and it will automatically insert some text into the box. Do not change this text; just click Ok.



Repeat for every marker.

3. Go to File > Export > QuickTime Movie. Do not export as QuickTime Conversion. Under the Markers drop-down, select DVD Studio Pro Markers.



Or Go to File > Export > Using Compressor. This will not display a dialog box but you will be able to see markers on the timeline in the Preview window.



4. Export the file.

5. Open up DVD Studio Pro and drag the exported file onto a track.



In the timeline, drag the edge of the horizontal scroll bar to decrease the size of the timeline and see everything at once. You should be able to see all of your chapter markers.



6. Go to Simulate and double-check that they work.

Troubleshooting


Let me know if you can think of any more troubleshooting tips.
Posted by Jon Chappell on Apr 4 2008 to Analysis, Final Cut Studio, Video Editing
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QuickTime 7.4.5 released

Apple just released QuickTime 7.4.5 to coincide with the release of iTunes 7.6.2 and Front Row 2.1.3. The coincidence of these releases suggests that the QT update specifically affects those applications and offers no specific benefits to Final Cut Studio. If you have a working system, DON'T install it!

On the other hand, if your system is not working, you have nothing to lose. I'd advise cloning your system beforehand though, as a non-working system could potentially be made even worse by this update.

Here are the links... use at your peril!
QuickTime 7.4.5 for Panther
QuickTime 7.4.5 for Tiger
QuickTime 7.4.5 for Leopard

I have also updated our list of QuickTime downloads.
Posted by Jon Chappell on Apr 3 2008 to Apple, Video Editing, QuickTime
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How to banish the Final Cut Pro registration screen forever

Update: We've now developed an automated solution for this with System Toolkit in FCS Maintenance Pack.

Everyone hates it - the annoying "please register" screen that pops up every 5 or 6 launches of Final Cut Pro and Apple's other ProApps. Of course, the easiest way to get rid of it is to just register but that may not always be practical or advisable. Many companies do not connect their editing machines to the internet (quite rightly) and some of the tinfoil hat-wearers among us might not be keen on giving their personal data out to Apple.

Whatever the reason, here is a method of stopping the Final Cut Pro registration screen from appearing again without having to register.

1. Make sure all Final Cut Studio applications are closed.

2. Go to /Library/Application Support/ProApps and open the file Final Cut Studio System ID.

3. In Property List Editor, click the arrow next to Root and you will see some details about the unique ID that FCS has created for your machine. On this machine, I upgraded from Final Cut Studio 1 to Final Cut Studio 2, so I have two IDs listed under 100-1 and 100-6. If you look under fullKey1, it tells me that the original ID is marked 100-1 so the new one (FCS 2) must be 100-6.

Yours may differ a little but if one doesn't work, try the other.

Update: If you don't have the Apple Developer Tools installed, you won't have a copy of Property List Editor on your system. In this situation we recommend using System Toolkit in FCS Maintenance Pack.

4. On the 100-6 option (or whatever yours says), double-click the data under the Value tab to select it and then copy it to the clipboard.

5. Go to /Library/Preferences and open com.apple.RegFinalCutStudio.plist.

6. Click the arrow next to Root and delete all of the entries in the list.

7. Now select Root and click New Child. Enter the name AECoreTechRegInfo, select Data as Class and paste the value you copied earlier into the Value column.

Update: For Final Cut Studio 3, you need to add an additional String with the name AECoreTechRegister and value of YES.

8. With the entry you just created still selected, click New Sibling up the top and type AECoreTechRegSent, keep the Class as String and enter a value of YES. Your final plist should look like this:

9. Save the file and enjoy a nag-free Final Cut Studio experience. It works for all applications in the Studio, not just FCP.

It is worth noting that this works for all of Apple's ProApps including Shake, Aperture and Logic. For Shake, use /Library/Application Support/ProApps/Shake System ID and /Library/Preferences/com.apple.RegShake.plist. The issue is especially annoying with Shake because if the registration screen appears, Shake will "forget" the project or file you wanted to open, so you have to open it again.

Also, if you do want to register but don't want to keep opening and closing the application until the registration dialog appears, just delete the com.apple.RegFinalCutStudio.plist file, launch FCP and it will appear immediately.

Posted by Jon Chappell on Mar 15 2008 to Final Cut Studio, Compositing, Video Editing
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160 GB SSDs coming soon?

This is a few days old but still worth mentioning. Intel has announced that it is entering the SSD (solid-state disk) market this year. In addition to bringing down prices through extra competition, Intel is also offering speed improvements over existing SSD drives from other manufacturers.

Details are sparse but enough to whet our appetites - there will be a SATA (3 Gbps) version and the drives will range from 80 to 160 GB in size (in comparison, the largest generally-available ones are 64 GB). This means that SSDs can, for the first time, directly compete with hard drives on a technical level. They can't yet compete with hard disks on price but Intel is predicting prices of less than $200 by 2010.

This means a lot because solid-state disks are considerably smaller, faster and more reliable than conventional hard disks. Tests with the MacBook Air have shown considerably faster boot and application loading times. The traditional downside to SSDs (and something Intel did not mention) is that their write speeds are considerably lower than their read speeds - in fact, lower than the write speed of a conventional hard disk. This will no doubt change with time but for some tasks such as high-bandwidth acquisition, they are not yet ready to replace something like the RED Drive.

They would be great in a video editing environment though, where you don't need to write large amounts of data very often and much of the your time is spent reading data. With a lot of editing systems (particularly with the advent of 8 core Mac Pros), the bottleneck lies in the disk speed. It can also improve the responsiveness of applications like Final Cut Pro that store only a limited amount of timeline information (such as clip thumbnails) in the main memory, with the rest on disk. I can't wait to see these new drives in a RAID 0 configuration.
Posted by Jon Chappell on Mar 12 2008 to Analysis, Hardware, Video Editing
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New Macbooks and MacBook Pros

Apple just refreshed its MacBook and MacBook Pro lines to support Intel's new Penryn chipset. Here are the specs:

MacBook
2.1 GHz model2.4 GHz models
CPU (Core 2 Duo)2.1 GHz with 3 MB cache2.4 GHz with 3 MB cache
RAM1 GB2 GB
FSB800 MHz800 MHz
Hard disk120 GB 5400 RPM
160 or 250 GB 5400 RPM
160 or 250 GB 5400 RPM
DisplayGlossy TFTGlossy TFT
GraphicsIntel GMA X3100 144 MB MB sharedIntel GMA X3100 144 MB MB shared
Battery Life4.5 hours4.5 hours
TrackpadTwo-finger standardTwo-finger standard


More details here.

MacBook Pro
15" model17" model
CPU (Core 2 Duo)2.4 GHz with 3 MB cache
2.5 or 2.6 GHz with 6 MB cache
2.5 or 2.6 GHz with 6 MB cache
RAM2 GB2 GB
FSB800 MHz800 MHz
Hard disk200 or 250 GB 5400 RPM
200 GB 7200 RPM
250 GB 5400 RPM
200 GB 7200 RPM
300 GB 4200 RPM
DisplayLED backlit
Optional glossy display
Anti-glare TFT
Optional LED-backlit display
Optional glossy screen
GraphicsNvidia GeForce 8600M GT:
256 MB with 2.4 GHz CPU
512 MB with 2.5 or 2.6 GHz CPU
Nvidia GeForce 8600M GT with 512 MB RAM
Battery Life5 hours4.5 hours
5 hours with LED display
TrackpadMulti-touchMulti-touch


More details here.

If you are buying an editing machine, you will want to choose a non-glossy display (preferably LED) with as fast a processor as you can afford. Buy the minimum amount of RAM and get it somewhere else for much less. Apple's memory is notoriously expensive compared to other retailers, even though it is identical. You are paying a premium for Apple's assurance that it will work, but I have never run into problems with third-party memory.

The biggest difference between the two is the fact that the MacBook Pro has dedicated graphics, which means that you will experience much better performance in applications like Motion. Color will not start up at all on a MacBook because of this reason.

The MacBook Pro also has the advantage of FireWire 800 ports for faster data transfers to external hard disks - essential for HDV editing.

So a MacBook Pro is recommended but you can get by with a MacBook if you are only editing SD footage and you will not be using Motion or Color.

Update 2/29/08: Engadget has some benchmarks showing that the speed is slightly faster between the new MacBook Pro and the old one but the heat output is considerably less.
Posted by Jon Chappell on Feb 26 2008 to Apple, Video Editing, Hardware
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