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Capture HDV to ProRes via Firewire in Final Cut Pro 6.0.2

Chris Poisson over at Creative COW has discovered that the recently released 6.0.2 update to Final Cut now allows you to capture from HDV directly to Apple's ProRes codec via Firewire.

This provides a means of getting rid of the awful HDV codec in one step, resulting in dramatically decreased render times, improved rendering quality of footage, and more latitude in color correction due to the 4:2:2 color space (as opposed to 4:2:0). Capturing to ProRes used to require a fast Intel Mac with an accelerated capture card, or AJA's Io HD. With the new update, you can now capture on a G5 Power Mac without any additional hardware, which very much levels the playing field.

As Chris explains, however, it is not quite a perfect solution just yet. It would appear that Apple has made some compromises (half raster import for example) in order to improve capture speed on slower machines. The preview window will also be considerably behind the actual footage being captured, making it difficult to monitor on-screen (an external broadcast monitor is always recommended, if you can afford it). But if you can live with these minor setbacks, you can capture to ProRes for a fraction of the previous hardware cost.

Before you rush to upgrade though, be aware that some people have been experiencing issues with the latest patch. As always, I would recommend not installing it in the middle of a production, and have a clone or backup of your working system before you upgrade.